A gray cat slinks past a wooden house.
There’s something a little intimidating attempting to describe.
This post is my submission to Cee’s Black&White Photo Challenge. Every week, Cee Neuner from Cee’s Photography hosts a couple of challenges on his blog. One of them is exclusively for black&white photos. In other words, it is the right challenge for me.
If you take a boat for a ride along the coastline of the beautiful Mediterranean island Majorca, you’ll find that one its most mysterious and sometimes iconic features are the watchtowers, like the Talaia de Son Jaumell. Last fall, I had the opportunity to hike to one of those towers myself. The Talaia de Son Jaumell is situated the Es Telégraf, approximately 271 meters above the sea. On the way up, I occasionally stopped and took a couple of photos all of which I share in this post.
Rarely do I ever look forward to a task I dread more than choosing my personal top ten photos. I started at 106 images and then went down to 67, 43, 16, and finally ten images. It is a painstaking process each and every time. To give you an idea of my thoughts and feelings and to make my choices a little more transparent, I will tell you the story of each image (very briefly, don’t worry) and of course present the picture itself.
Yesterday, the last active coal mine Germany stopped all mining activity. The pitmen brought up the last piece of coal ever to be dug in Germany. It is only fitting and appropriate that this happened in the Ruhr Valley, the heart of German coal mining industry. This is a collection of photographs of the shaft towers here in the Ruhr Valley in Germany. With a nod of respect for the pitmen and all that they have done in the last centuries post this image here. “Glück auf!”, as the pitmen say in Germany.
„Let’s go shoot some architecture,“ said my photo buddy Achim. So I suggested we could go to one of the most iconic architectural locations in the Ruhr area (Germany), the ThyssenKrupp headquarters. But I had no idea that we would find the place in a unique condition, enabling us to get some very rare photos from a place that has been photographed over and over again already.
Some time ago I was contacted by a Jonathan B., a marketing manager from the print service provider Zor. He said that he was interested in working with me and asked me for a true and honest product review based on my experience with Zor. Here it is.
A couple of weeks ago, my first DSLR, the Nikon D80, died of mechanical arrest. All of a sudden, while my son was taking pictures of a tiger, it stopped shooting. It turned out that the mirror was locked and wouldn’t move anymore. ERR was the camera’s last word. In this post, I invite you to look back at the best shots I took with the D80.
In this series, I explore ways to photograph historic items and places in a way that reflects their age and inspires ideas and stories of their glories past. Today, we are going to explore reflections and (semi-)transparency. They both add a layer to the photograph, an extra step for the viewer to grasp the subject. They make the subject more distant and less immediate. They can obscure it, covering or distorting historical and original and adding new detail like haze or dirt.
With no small degree of happiness and joy, I am announcing Wax, an abstract and experimental series of photographs which explores the astoundingly varied structures, textures, patterns, and shades of one of the most ordinary items imaginable, a candle. In this post, I’d like to tell you a bit about the projects origin and the way the photos were created before I send you over to the Wax gallery.
A collection of 30 black & white photographs from the Zollverein world heritage site in Essen, Germany.
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